April 6, 2013
In the afternoon, I drove to the new hotel—Villa del Palmar—that’s located a few miles south down the coast from Ligui. When I first paddled here two years ago, it was still under construction. The road to the hotel is about three km long, all gravel. The first stretch isn’t very impressive, because it’s along the bed of a dry wash. That suggests guests may be isolated for a few days, when a hurricane dumps rain on the mountains.
Next, the road leaves the wash and
goes through a gargantuan, monumental entrance gate, with a security guard in a
white uniform. Then you’re on a graded
slash across the hillside, like a superhighway, but still no asphalt. As you approach the hotel, it looks
barely finished, sort of squeaky clean, final details still to come.
But there are some guests. A few
shuttle buses were arriving, though the hotel seems sparsely populated. It could be the setting for the song Hotel
California, though that song suggests something small and seedy, not this cavernous new construction.
At the front desk, I had to
explain that I was looking around in case I wanted to stay here, and they gave
me an identification bracelet. Outdoors toward the sea, there was
pool after pool. One huge one (below),
surrounded by smaller pools at different levels, some for children.
The plantings were new--just taking hold. There were cactus gardens. Everything was beautiful, but didn’t quite jell. Too new, too generic, something missing (besides people). Still, it’s amazing what some water, shade, and some vegetation and trees will do for the desert. You fill like you might want to sit down, and not roast or get sunburned to a crisp.
The plantings were new--just taking hold. There were cactus gardens. Everything was beautiful, but didn’t quite jell. Too new, too generic, something missing (besides people). Still, it’s amazing what some water, shade, and some vegetation and trees will do for the desert. You fill like you might want to sit down, and not roast or get sunburned to a crisp.
The setting of the hotel is truly
magnificent. Behind it is a small desert valley,
surrounded on three sides by low mountains.
The hotel faces a magnificent bay, looking out towards Danzante Island,
which looks like a fairyland castle.
There’s a narrow row of dunes between the beach and the hotel
grounds—with a sign saying to keep off because the dunes are a natural area. So, that makes you wonder—wasn’t the place
where the hotel was built a natural area?
Without the hotel, this cove and the valley behind it would be an
incredible wilderness area. But you
can’t feed Mexicans with wilderness, and so it was developed.
Facing the beach, I waled to the
left-hand side of the grounds. Here was
a high plywood fence I couldn’t see
over. So I went to it’s end,
where the terraced grounds dropped with a wall to the dunes. Standing at the edge, I looked beyond the
plywood fence. Beyond was a dry wash,
with gravel jumbled by bulldozers—a
totally barren area in stark contrast to the green and ordered grounds of the
hotel.
I went to the other side of the hotel grounds facing the beach, and found much the same. Totally barren, though not as disturbed as the dry wash on the other side. I’ve never seen such a stark contrast in nature in my life. I took panorama photos on both side. I may have discovered a new kind of panorama, where you contrast two things on either side of a boundary. Later, I found that the hotel and nearby town subsist on desalinated seawater.
It was as if the whole hotel and
grounds were some giant mothership from another planet, landed here in the
desert. A planet of intelligent
amphibians evidently, because they brought so many pools of water with them.
Having seen how isolated from the
environment the hotel was, I couldn’t help feel that the guests were captives
there, as I walked back from the beach overlook towards the lobby. I don’t think there was a single guest on the
beach. This incredible setting was
little more than a painted backdrop.
These guests would never know the thrill of a luminescent sea.
Starting the drive to San Javier
In late afternoon, I headed
towards Loreto, then turned away from the sea and towards the mountains, on the
new Loreto-to-San-Javier highway.
The foothills were magnificent in
their dusting of feathery golden grass, spurred no doubt by extra moisture from
the hurricane last fall. They were
bounded on one side by the blue sea, and on the other by the jagged crest of
the Sierra la Giganta. The low light was
clear and brilliant. The foliage was a
mix of chaparral, grass, cactus, and exotic trees.
I stopped wherever I could for
photos, but most turnoffs were littered or barren slashes made by the highway
construction equipment. But eventually,
as the highway started to go up in earnest, I found a lovely flat meadow of
golden grass, where I could pull off to some distance from the highway on a
dirt road.
I pitched my folding chair on a little knoll, overlooking the dry wash, next to a little shrine for the pilgrimage route. It was a perfect spot for a beer as the dusk came on. The wind was warm—now windy, now still—as the night came on. Frogs were singing down in the wash. There must be pools of water there.
I pitched my folding chair on a little knoll, overlooking the dry wash, next to a little shrine for the pilgrimage route. It was a perfect spot for a beer as the dusk came on. The wind was warm—now windy, now still—as the night came on. Frogs were singing down in the wash. There must be pools of water there.
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